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With images of the Manson Family murders showing on the television, two murderous creeps break into Mia and John's home; while John fights them off, Mia is stabbed, and Annabelle is caught in the fray. The baby is born, and the couple moves to a new apartment, but the disturbances continue, and the ghosts and spooky disturbances give way to images of a demon. With the help of a bookseller , Mia learns that the doll won't stop until it possesses a human soul. Family movie reviews, movie ratings, fun film party ideas and pop culture news — all with parents in mind. Ed and Lorraine Warren are getting burnt out by their attempts to contain the dangers of the occult and decide to take an overnight vacation. Confident that a cursed doll named Annabelle is secure in a box made of sanctified chapel glass in a locked room in their basement, the Warrens leave their daughter Judy home with a babysitter, Mary Ellen .
Writer/director Gary Dauberman unveils the new cast of sinister specters he conjured up for the latest installment of the Annabelle film series. Devoid of any scares and lacking even the styling of the weakest entries in this universe. Mostly just busy and loud without accomplishing anything. Principal photography commenced by mid-October in Los Angeles, with Michael Burgess serving as cinematographer. On December 7, Wilson announced that he had finished filming his scenes.
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Judy explains that they must lock Annabelle in her case again so that the other spirits will rest. Bob protects Judy from the Black Shuck as she retrieves Mary Ellen's asthma inhaler, while Daniela is attacked and possessed by the Bride. Eventually, Mary Ellen and Judy find the doll when the ghostly priest, acting as Judy's guardian, guides them to the Ferryman. Daniela recovers when Judy plays Ed's recorded footage of the Bride's exorcism, and helps put the doll back in the case. After the case is locked, the disturbances cease as the spirits return to their slumber, and Bob reunites with the trio.
However, an unexpected guest sets Annabelle free, unleashing demonic activity in the house. From the start, it begs you to think back and reflect on the good times you had watching The Conjuring films. It is undoubtably closer in tone and craftsmanship to the spinoff films, rather than The Conjuring films. Viewers looking for family-friendly horror can watch the PG-rated The House with a Clock in its Walls. It feels like this movie is hitting every horror movie checklist which kind of reduces its impact. Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.
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Annabelle Comes Home is tense and scary, and horror fans will probably have fun, but its fear factor comes from sticking to an old formula and stubbornly refusing to challenge any major tropes of the genre. If this is the best Annabelle can conjure up, maybe she should have stayed home in the first place. Although Ed and Lorraine Warren have locked the cursed doll Annabelle in their artifacts room, they didn't count on someone letting her out. And once Annabelle gets out, she starts releasing the other evil spirits contained in the lockup. Now the Warrens' young daughter is being pursued by dozens of vengeful ghosts, and it is up to her parents to save her.
Parents need to know that Annabelle is a prequel to the horror movie The Conjuring, about a possessed doll. There's lots of bloody horror, splattering blood, and scary images, plus some jump-shock moments, shooting, fighting, and dead bodies. A pregnant woman and, later, a small child are in jeopardy.
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It did not deliver the scare factor, and if it did, the execution is not strong enough. Imagine a war without any explosion, no damage dealt, and no one have gotten into a serious war shock after the climatic commotions – this is how I felt watching this movie. In this third Annabelle movie's case, the potential of its story is wasted because of continuous cheap scare-centric. But the question is, is Annabelle Comes Home a waste of time?
Horror fans will probably want to see this, but it's not likely to be as big as The Conjuring was. The Annabelle trilogy comes to in end in Annabelle Comes Home. Despite the title, the film isn't really about Annabelle; as she's only one of several cursed objects that have to be overcome. Still, the writers come up with some rather creative and frightening demonic spirits. And, they do a good job at building suspense and tension.
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There's a stabbing in the stomach, and a scene of a ghost "vomiting" a stream of blood into a character's face. A character is bullied, and a man is nearly hit by a truck. Language includes a use of "f--k" and a few uses of "s--t" and "balls." Teens flirt a bit, and a teen boy tries for a kiss but is thwarted.
She abruptly leaves Annabelle's glass case unlocked, and the terror begins shortly afterwards with the spirit of Annabelle "Bee" Mullins unleashed. That night, Annabelle begins releasing other spirits, such as the Ferryman, the Bride, a Feeley Meeley board game, and the Black Shuck. I am actually a bit surprised by the rating for this movie. As far as R rated horror goes, Annabelle Comes Home is comparatively innocuous.
While it has some nods to obscure 80s classics, it wholly feels original. The scares and set-pieces are inventive and often astonishing. Just the presence of Ed and Lorraine at the start fills the movie with a sense of false comfort because it makes you feel like the rest film will be in good hands.
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